When I first saw George Lewis Jr. perform as Twin Shadow, it was on a freezing cold January Saturday at Over The Rhine’s MOTR Pub after the release of 2010’s critically acclaimed Forget. Coincidentally, this was also my first show at what is now my favorite music hot spot after moving back to Cincinnati a few months earlier. At the time, I had given the albums a few spins and thought it was pretty good, but really wasn’t entirely blown away. I found the fact that the album was released in November fitting as it seemed to be more thought provoking winter pop. Even the album title inspires visions of cold and darkness. That is until the brash Lewis strutted onto the stage with a rocks glass of whiskey and an outfit of denim, a black leather vest, and his hair swooped up like some 80’s pop star. In person, these songs about heartbreak and getting over someone were something more; they had a heartbeat, a life of their own. These were honest to god life vibes, like Donnie Darko wormholes connecting everyone together that night. Needless to say, I’ve been a tad bigger fan ever sense.
Confess, the second LP release by George Lewis Jr. under the same stage name, is not Forget. There’s a great cockiness, first evident from the album cover featuring a solo shot of George looking like a “Beat It” music video extra, to this album that is new. There’s some Price feel, some Bowie, some MJ…this is 80’s new wave and pop music sent to 2012 in Doc Brown’s DeLorean. And it’s done to perfection. While Forget had that breakup album feel to it, this album feels more like George is chasing whom, or whatever, he wants with that previously mentioned cockiness closer resembling confidence as you get deeper into the track list. The opener “Golden Light” sets the stage for this new feeling as the song continuously builds the chorus of “some people say there’s good in life, you’re the golden light? And if I chase after you does it mean that’s it true?” The second track “You Can Call Me On” resonates with the chase and perils associated with trying to get someone back with George pleading with lines like ”You call me on to give it up, I give it up for you” and “I don’t give a damn about your dream, a whole world that is falling at the seems girl, that’s what it’s supposed to do, it’s my only way back to you it seems”.
The first single, “Five Seconds” features George’s superb vocals at their finest as he screams out over a poppy back beat before he breaks it back down again and contemplating the closeness of young love with “Run My Heart”. It’s around the following song entitled “Beg For The Night” when you really begin to notice how simplistic the songs have become in terms of guitar arrangements. Whereas Forget seems to rely on a heavy and complicated does of the strings to drive the songs, the first five songs on this album allow his voice to set the tone. Luckily, it’s not completely gone as “Beg For the Night”, my personal favorite track on the album, brings the edgy sound we all come to expect to the album. “When the Movie’s Over” is another standout towards to end as a beautiful melancholy, ballad-like jam.
As a whole, Confess is a statement album that combines the emotion and feeling George Lewis Jr. brought on his debut work with a new confidence in his vocal strength. The brash Brooklynite has combined the sounds of the artists he loved growing up with into his own personal brand of music. You won’t hear many albums like Confess this year, and you certainly won’t hear many better. Confess is available today via 4AD.
Written by Greg Dahman
A while back, and one of my first posts for Thought on Tracks, I featured electronic duo Purity Ring in a Band to Watch post following their two big hits “Belispeak” and “Lofticries”. After these two singles dropped, a long silence period came with the hope that we would be given a debut LP shortly. The wait is no longer. Purity Ring released the presumed latest single from the album entitled “Obedear” this past Monday along with the details for the album. Shrines will be released 7-24-12 via 4AD Records. “Obedear” follows the precedent set of ridiculously good simple electronic beats and with Megan’s vocals drawing the listener in. Simply put, this is one of my most anticipated releases of 2012 and it’s everything I’m into listening to right now. For those in the Midwest or willing to travel, you can catch Purity Ring this July along with me on Friday of Pitchfork Music Festival.
Written by Greg Dahman