Album Review: TEEN ‘In Limbo’
Upon hearing of Brooklyn’s TEEN, you will likely be fed a shallow narrative that unfolds something like this: Rock chick leaves successful up-and-coming band. Rock-chick joins up with sisters and friends to form all-girl electro pop group. Look at them now. Aren’t they cute? (For evidence, see our Band to Watch post)
While this storyline is an accurate assessment of how Kristina “Teeny” Lieberson’s new project TEEN came to be, it fails to do their debut LP In Limbo justice. The album kicks off with “Better.” A song whose girl-power infused hook could be easily substituted for the shitty rendition of Irving Berlin’s “Anything You Can Do” from that old Mia Hamm vs. Michael Jordan Gatorade commercial. Yet, set against the backdrop of intricately woven synth and vocal lines and a foot stomping rhythm section, the chorus proves more irresistible than trite.
Follow-up “Come Back” is my favorite cut from the LP. The song turns the traditional narrative of the desperate female on its head. Here, Teeny spends the chorus begging for the return of a lost love. In the verses, though, we learn that her loneliness comes as the result of loving and leaving too many half-forgotten names on the road to now. Her regret stems not from whether she may one day find love, but rather the thought that she may have already cast it aside. A familiar storyline from your male rock n’ roller, but rarely one told from the female perspective.
Rather than present their brand of girl-pop in concise, pre-packaged three-minute infomercials, TEEN has chosen to challenge its audience. Seven of In Limbo’s 11 tracks stretch beyond five minutes. The band’s attempt to break down and re-purpose the traditional notion of a pop song is an admirable one, but testing the limits of listeners’ ever-shrinking attention spans proves a dangerous decision on a debut.
The B-side of In Limbo occasionally loses its focus, dissolving into trippy meditations. Even those moments manage to hit their mark on tracks like “Sleep is Noise” and “Fire“. The good news is that the few songs that fell flat for me on the album, I found captivating in the stripped down space of TEEN’s Secret Garden video session. Typically the reverse is true, a successful cut off the LP proves completely dysfunctional in a live setting. It’s an encouraging trait for a new band in an era in which live gigs provide the meat and potatoes and album sales increasingly cover dessert.
With a four-track EP and a fascinating mix tape of covers under their belt, TEEN is a band that appears road-ready from Jump Street. These girls have achieved an astonishing amount of depth both sonically and lyrically on In Limbo. This is achieved largely through a masterful layering of vocal arrangements and a relentless willingness to explore. Grab your copy of In Limbo from Carpark Records. Stream it in its entirety below.
Connect with TEEN via Facebook | Twitter
Written by Rob Peoni
Fresh Track: Les Sins “Fetch”
Electro do-it-all Chaz Bundick is no stranger to telling a story through sound. As the man behind Toro y Moi, he has put out everything from the super chilled turntable vibes of Causers of This to the more jazz based, soulful beats on Underneath The Pine. He is also a man who never stops creating. Later this month, his side project Les Sins drops a new 7” via JIAOLONG Records that features new tracks “Fetch” and “Taken”. While his Toro project features Chaz on the vocals along with an ever-expanding back up band from his solo start, Les Sins is Chaz getting back to his roots and suiting up in his Saturday nightclub superman suit. “Fetch”, featured below, is a hypnotic blend of house beats interwoven in a Saturday night cocktail of fun. A mesmerizing track to say the least, it’s one that features everything great about the talent that is Chaz Bundick.
Connect with Les Sins via Facebook
Written by Greg Dahman
Fresh Track: Night Moves “Country Queen”
I shared a smoke with Minneapolis’ Night Moves after the band’s July 14 opening set for Father John Misty at Schubas Tavern in Chicago. After some time spent gushing over Minneapolis’ burgeoning indie rock scene, lead singer John Pelant informed me of their debut LP Colored Emotions, due to drop on October 9. The album’s second single “Country Queen” arrived late last week. Listen below. Night Moves is scheduled to hit the road with Lord Huron for the entire month of October. All available dates are featured below.
Connect with Night Moves via Facebook | Twitter | Domino Records
Tour Dates
09-29 Madison, WI – Majestic Theatre $
10-02 Denton, TX – Dan’s Silverleaf *
10-03 Austin, TX – Stubbs Jr *
10-05 Atlanta, GA – Drunken Unicorn *
10-06 Chapel Hill, NC – Local 506 *
10-07 Washington, DC – Black Cat Backstage *
10-08 Philadelphia, PA – Kung Fu Necktie *
10-09 New York, NY – Mercury Lounge *
10-11 Allston, MA – Great Scott *
10-12 Brooklyn, NY – Glasslands *
10-13 Buffalo, NY – Mohawk Place *
10-15 Chicago, IL – Schubas Tavern *
10-16 Minneapolis, MN – 7th Street Entry *
10-18 Denver, CO – Larimer Lounge *
10-19 Salt Lake City, UT – Kilby Court *
10-20 Boise, ID – Neurolux *
10-21 Seattle, WA – Barboza *
10-22 Portland, OR – Doug Fir Lounge *
10-24 San Francisco, CA – The Independent *
10-25 Los Angeles, LA – The Satellite
10-27 Phoenix, AZ – Sail Inn
$ w/ Dirty Projectors
* w/ Lord Huron
Written by Rob Peoni
Thought on Tracks 