The Antlers. Brooklyn. Undersea. Hurricane Sandy. Drift Dive. Slowly sinking into water. The city, or the music video? There’s something strangely ironic about The Antlers releasing the music video for “Drift Dive” on Monday afternoon while Hurricane Sandy bore into The City That Never Sleeps. Perhaps they should have waited a few more days so they could show the subways slowly filling up with water under a deserted Times Square, or maybe they were just egging Sandy on. Either way, you can sink into the gorgeousness of this song properly with the imagery below. If you missed my review of Undersea earlier this year, you can check it out here.
Written by Greg Dahman
Thinking. Searching. Discovering. Smiling. Crying. Celebrating. These are what we are all doing every single day. But towards what exactly? We learn from our mistakes, bask in our triumphs, and hope for our dreams to come true. But in the end, is there a true point to it all? I suppose those who believe in god, or religion, would have an answer to that. But for those of us who ponder, we continually outsmart ourselves to whatever end we can conjure up at a specific moment in life. I’ve been a believer in the man upstairs, and I’ve been a doubter. But if there is one thing I can hang my hat on, it’s that there are certain things that transcend the second hand of the clock ticking away.
The Antlers have always been something of an opiate for me. The breathtakingly beautiful Hospice has gotten me through some of the most depressing points in my life the past few years. That sounds odd to say, because, well, that album centers around debilitating themes, but when you listen all the way through there’s an uplifting beauty to it. It’s like watching that bag float around in American Beauty. While the characters are completely downtrodden, there’s just something so simple and graceful about the surroundings that can change your whole perception. Anxious to shed any label of acoustic sadness fame following their breakthrough, Burst Apart was defined by depth, experimentation, and pushing the boundaries of consciousness. Perfect in its own unique way, the album dives into the fears we all suppress on a daily basis. What is death like? What happens next? Is there a next?
Undersea picks up right where Burst Apart left off, almost as if these song were meant to be tracks 11-14 after “Putting the Dog to Sleep”. Each features an expansive pit of openness and emotion allowing the listener to sink in as deep as they so desire. Perhaps that’s what makes this band, and these songs so special; they are as much your own as they are The Antlers. The EP begins by featuring a gorgeous trumpet accompanying Peter Silberman’s pitch perfect vocals with the “Drift Dive”. A dark song, the title fits the mood as the does the last piece of a puzzle. The guitar is effortless with a drawn out slide, the keyboard elegant, and there’s even a hint of strings. The second song, “Endless Ladder”, is by far the most expansive track on the release, clocking in at over eight minutes. This album’s “Wake”, it is a slow building monster of reflection asPeter Silberman remarks, “I’m an endless ladder, climbing high” throughout.
“Crest” features the return of the horns and thoughts on those who oppose us. The song’s sound shutters between curious and haunting with lines such as “through and through, they want to walk all over you.” While not a statement, it is more of a questioning, introspective piece. The final song on the EP, “Zelda”, has the opening mood of a funeral set by the bass and once again the trumpet. Silberman’s vocals rise above the dark and foreboding backbeat. They don’t offer hope or salvation, but rather simply comfort.
In all, this EP can be viewed as a watershed moment for the group. Perhaps more than any other band in the realm of indie rock, The Antlers are never quite sure exactly what they are and want to be. They ride the tidal wave of the present, painting a portrait of life in the moment. In a world full of people trying to be something, they offer a genuine spirit of what it means to be human. And I thank them for sharing, because without it, I’d be lost.
Written by Greg Dahman
I will preface my Top 10 list by saying you won’t find Bon Iver’s self-titled on it. I have nothing against you, Justin, and I do love your album. It’s just you were #11 and Rob told me I could only write about 10. No hard feelings? And without further ado, my Top 10 albums of 2011.
10. Craft Spells – Idle Labor
I feel like this album doesn’t get enough credit for how great it is. New wavish, 1980’s synth electro-dream pop in 2011? And yes, I did in fact have a seizure after I wrote that sentence. In any case, this album features not only my personal #10 song of the year in “After the Moment,” but also such gems as “Scandinavian Crush,” “Party Talk,” and the “Your Tomb.” Like a fine wine, this album gets better with age and every spin I give it.
9. Unknown Mortal Orchestra – Unknown Mortal Orchestra
When I first heard “How Can U Luv Me” I thought it was an interesting song and a band worth checking out more. Hard to believe the band’s initial hit may be the least interesting song (and it’s still a good song) on this fantastic self-titled debut. Armed with a guitar climbing all over the place and some scratchy mic’d vocals, their sound is one you won’t forget. Be sure to listen to “FFunny FFrends” and “Little Blue House.”
8. Hooray For Earth – True Loves
I first encountered this band listening to SiriusXM U in my car when True Loves came on. The sound of the drum sticks banging the edge and setting the beat….some echoed ahhs and then, the synth drops. My reaction, “What the fuck is this? I like this. No, I really like this.” And even better, the band wasn’t a one hit wonder. “No Love,” “Bring Us Closer Together,” “Last Minute,” and my personal favorite, “Same,” all deserve your attention.
7. The Drums – Portamento
I enjoyed The Drums first self-titled album, but I absolutely love this record. It still features a heavy dose of bass and sing-along choruses, but this one seems to venture down a darker path than its predecessor. The focus of the record is on relationships and eventually, their death. “What You Were,” my favorite track, describes the impending doom of going into a relationship you know isn’t going to work out, but yet, you try anyway. “But still I cave in. I gave you my heart. I cave in. I knew I would die.” Let the The Drums get you through the ones that really hurt.
6. Girls – Father, Son, Holy Ghost
How far has this band come? It combines that loveable beach pop from their first record Album (“Honey Bunny”) with a dash of that fuller sound on Broken Dreams Club (“Alex”), ultimately culminating with a true anthem moment on this record (“Vomit”). Taken as a whole, the band dives even deeper into the human spirit than before, resulting in a true masterpiece of sound.
5. Destroyer – Kaputt
A record in the truest sense, this requires being listened to from start to finish to truly appreciate the beauty and entirety of the emotion put into it. Dan Bejar weaves you rich, aesthetically pleasing tracks that will transfer your mind away from this world to whatever you choose to imagine. Perhaps no better song represents this full-bodied work than the 8 minute long “Suicide Demo For Kara Walker” in which you’ll begin with a gorgeous flute solo before having a blaring trumpet help you cross the finish line.
4. Youth Lagoon – The Year of Hibernation
Thankfully for us all, Trevor Powers decided to leave his bedroom and share his music with the world. My favorite aspect of this album is how his voice is recorded in lo-fi. At times it sounds so soft and fragile…almost broken, before breaking out in renewed strength and vigor. “Cannons,” “Afternoon, Seventeen,” “Daydream”…actually, just listen to the whole thing.
3. Holy Ghost! – Holy Ghost!
My favorite electronic album of the year, Holy Ghost! brings the fun on their self-titled debut. In fact, as I’m looking at my list, I seem to have enjoyed a lot of the 1980’s pop revival bands that put out records. Well, I was born in the 80’s , so I guess it fits. In either case, “Wait and See, Hold My Breath,” and my #2 song of the year, “Jam For Jerry,” highlight a fantastic debut from this NYC duo that will get your feet moving.
2. The Antlers – Burst Apart
The Antlers make you ponder the big things in life. While Hospice was a runaway emotional train wreck, this album is about musical experimentation while focusing on loneliness and death. But that truthfulness and darkness is what truly makes this band great and this album so beautiful, for they allow the listener to completely dive in and explore parts of ourselves that we don’t on a regular basis. How deep you will go, well, that’s up to you. The Antlers just provide the sound to get you there. Focus on “Parentheses, No Widows,” and personal Top 10er “I Don’t Want Love.”
1. Real Estate – Days
On first glace, this album appears to be about the 21st century American experience of the Suburbs. But at its core, this album is less about the suburbs and more about taking a nostalgic look back at beauty and simplicity in growing up there.
If it takes all summer long
Just to write one simple song
There’s too much to focus on
Clearly that is something wrong
At 26, the sentiment that “life passes you by” is beginning to hit home. My focus has gradually shifted over the years from what I was going to do all summer off school to now how I want to invest my money, how much life insurance I need, and all those other adult questions I used to avoid. Somewhere along the way, I grew up. But while we all can look fondly at the past and with anticipation for the future, don’t ever forget to live in present.
Written by Greg Dahman