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Posts tagged ‘indie’


Fresh Track + Video: Oupa “It’s Rough” (Smog cover)

Oupa is the solo project of Yuck frontman Daniel Blumberg. Yesterday, he released this uber-trippy video that was produced by Porcelain Raft. That’s right kids, the hipster stars are aligning on this one. “It’s Rough” is a cover from indie underground sensation Smog’s 1995 release Wild Love. Methinks the buzz-o-meter just broke. Fortunately, Blumberg delivers, offering fans an incomprehensibly chill take on this little known gem. Enjoy the video below.

Connect with Oupa via Facebook | Boiled Egg

Oupa – It’s Rough from Boiled Egg on Vimeo.

Written by Rob Peoni


Album Stream: Holger ‘SUNGA’

While I pride myself on attempting to look in the deepest recesses for the latest music, I don’t always manage to reach outside the continent. Europe sends over its fair share of British invasions, but I fail to look toward South America as often as I should. This became abundantly apparent a few months back when I got my hands on the album SUNGA by the Brazilian band Holger.
This album is a bona-fide danceable, indie-rock winner. No need to preach. Don’t take my word for it, listen for yourself:

Written by Rob Peoni


Album Review: Chris Brecht & Dead Flowers ‘Dead Flower Motel’

Paula Cole begged the question “Where Have All the Cowboys Gone?” on her mid-90s mega hit of the same name. Apparently Paula, a few of them are hanging out in Austin, Texas.

Chris Brecht and his band Dead Flowers are responsible for one of the more underrated releases of 2011. Dead Flower Motel is a 3 AM barnstormer of a record that would prove a welcome addition to the jukebox of any West Texas honkytonk. Brecht has an artist’s eye for detail that provides the story for this smoky, whiskey-infused backdrop.

Daytrotter’s Sean Moeller wrote of Brecht, “We know it in our hearts – that we’re weak and expendable – but we also can see the beauty in that. We are brief and we are supposed to make the most of it. Brecht does this by finding the beauty in the smallest things, those toss-away details that, for many, are imperceptible, but they’re the bits that make a writer great and make a satisfied person.”

Concise, vivid songwriting is too often taken for granted in the indie scene. Blogs like Pitchfork appear willing to promote acts that fit a certain image, while the music itself plays second fiddle. (See: We Listen For You) As a result, artists like Brecht tend to slip through the cracks.

Rather than reinvent the wheel, Dead Flower Motel keeps the music simple and employs Brecht’s unique perspective to elevate the songs. I don’t wish to short change Dead Flowers. Their play provides a solid foundation for Brecht to draw from. The music has a subtle, haunting quality that pairs well with his mellow angst.

Brecht appears keenly aware that his message is lost on certain crowds. On “Not Where You Are”, Brecht writes “If you think that I’m wounded/It’s my soul that bleeds/Cause you’re judging a man/By the brand of his jeans/You have everything you want/Because you’re parents were rich/And you sit around and pretend/ How hard it is.” The lyrics read like a giant middle finger to the snobs whose club Brecht has never been allowed to enter. He continues, “I don’t want you to get it/I don’t want you to end/You can’t even pretend/To know where I’ve been.”

Dead Flower Motel is a tough sell. The music is too country for indie fans, and Brecht’s delivery is too indie for traditional country fans. Regardless of which crew Brecht eventually falls in with, his story is worth hearing. Click HERE for a free stream or download of his Daytrotter session.

Written by Rob Peoni