A deep feeling of concern immediately struck me when former Fleet Foxes drummer Josh Tillman announced that he was leaving the band. Tillman delivered his final statement as a member of Fleet Foxes in a post on his Tumblr account by saying, “Back into the gaping maw of obscurity I go.” After seeing Fleet Foxes headline Pitchfork Music Festival last summer I began to classify them as one of the most complete bands in the entire music scene. The synergy between them was impeccable and consistent improvement implied a growing greatness for me. Slowly emerging from a disappointing departure is my introduction to his new “obscure” project.
Father John Misty is Tillman’s exclamation point to promote his Fleet Foxes departure. My introduction to his project presents itself with song, “Hollywood Forever Cemetery Sings”. This track describes the resting spots for rock legends Johnny and Dee Dee Ramone. The theme is bold, but should not be surprising to the listeners that follow.
Tillman is interesting. He is borderline captivating. Tillman is starting from scratch with an unbelievable resume attached. Father John Misty is a reassuring first step that is hard to doubt. Stream the single and watch the insane video featuring Aubrey Plaza below.
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Written by Brett McGrath
Fleet Foxes frontman Robin Pecknold has released a new demo for a song entitled “Olivia, In a Separate Bed.” The material is the first since drummer J. Tillman’s departure from the indie-folk titans a few weeks ago. The song is still in its early stages and is a bit rambling and unfocused. This should not be surprising as the lyrics deal directly with Pecknold’s recent break-up with his girlfriend Olivia. Only apathetic people with frigid hearts write concisely and coherently in the midst of an emotional loss. Apparently, Pecknold unleashed a torrent of bitter tweets regarding his lost love the other day, before subsequently deleting. Ah, young love in the digital age.
The tone of the track is reminiscent of the material that Pecknold released for free with fellow indie rocker Ed Droste last year. Other Foxes, Christian Wargo and Casey Wescott are currently playing shows for their side project Poor Moon. Stream Pecknold’s demo below. It might not be Fleet Foxes, but at least we know Pecknold is working. And that, to borrow Martha Stewart’s words, is a good thing.
Written by Rob Peoni
10. The Roots ft. Big K.R.I.T. – “Make My”
I catch a lot of grief for my lack of hip-hop coverage on this blog. It’s not that I don’t appreciate the genre, I just don’t think I listen enough to justify writing. I won’t bother attempting to explain why “Make My” is a significant contribution to the genre. All I can say is that this is the best damn hip-hop song I have heard in quite some time. In fact, undun, is also on my short list for top albums of the year. So there.
9. The Strokes – “Machu Piccu”
The Strokes’ long-awaited, fourth full-length release, Angles, received mixed reviews from the indie scene at large. Particularly a pesky Chicago blog that I often find myself annoyed and disagreeable with. For years, crictics bitched and moaned about the fact that The Strokes were really just Julian Casablancas. So the boys finally put an album out that represented a team effort and everyone shrugs? I don’t get it. Though Angles failed to make my Top 10 albums of the year, “Machu Piccu” was the track that I found myself returning to most often. Play it loud. It’s better that way.
8. Real Estate – “Out of Tune”
Real Estates’ fall release Days has been slapped with a near universal stamp of approval. Though those types of mass agreement tend to send me running for cover. I have to say, I agree with the masses. This fall release is perfect for a long drive. Though Days tends to mesh together into a single thought for me, I’m particularly drawn to “Out of Tune”. The track is a sleepy, slow roll that requires no deep thinking. It’s just great music, and you know it from the first note.
7. White Denim – “Street Joy”
Austin, TX’s White Denim satisfied my desire for the type of guitar driven jams that I feel the indie scene is lacking with their 2011 release D. The band fits a more traditional rock band formula that falls neatly within my comfort zone. Ironically, “Street Joy” is the one track from the release that doesn’t fit that model. Here, the boys employ a simple recurring acoustic guitar over an ethereal synth line. The song plays like a dream, and what a sweet dream it is.
6. Surfer Blood – “Drinking Problem”
Surfer Blood’s Tarot Classics was another EP that narrowly missed my Top 5 list. For me, “Drinking Problem” was the strongest song on the release. The subject matter was relatable for me. John Paul Pitts sings of not giving a shit about the problems that arise from his substance dependent friends and their various vices, saying “At least I know who my friends are.” Amen brother.
5. Fleet Foxes – “Lorelai”
I missed out on Pitchfork Festival in Chicago this year. Instead, I spent the bulk of the weekend camped out in front of my computer, watching via the interwebs. I can honestly say that Fleet Foxes’ headlining performance was one of my favorite concerts of the year. Chills ran down my spine as Robin Pecknold conquered the Chicago indie scene with staggering renditions of songs from their 2011 release Helplessness Blues. Though my initial enthrallment with the album faded throughout the year, my love for “Lorelai” never left.
4. The Beach Boys – “Heroes and Villains”
The first time I heard this particular version of “Heroes and Villains” was in the opening scene of 2009’s Fantastic Mr. Fox. Those of you that understand the love I feel deep down in my loins for this movie, know that an immediate musical bond was made. The song reappeared on the long anticipated release of The Beach Boys’ original Smile recordings this year. The album is a treat, and this track is a masterpiece.
3. Dirty Gold – “California Sunrise”
Very few songs have the ability to transplant a listener directly into beach front vacation mode. “California Sunrise” is certainly one of those songs. San Diego teens Dirty Gold’s debut ROAR just barely missed my list of Best EP’s from 2011. I don’t think I’ve ever played this song for a group without someone chiming in to ask, “Who the hell are these guys?”
2. Paul Simon – “Rewrite”
I like to consider myself a writer above all else. Good or bad is debatable, but when someone asks what I do, my response is inevitably: I write. I think that’s why I found this Paul Simon track so endearing. Complex, repeating tribal rhythms underscore flawless songwriting on this one. Here, Simon leads his listener on a meditative journey through the mind of an aging writer who has never found a draft he didn’t wish to change. Like the best poems, every one of “Rewrite”‘s words serves a purpose.
1. tUnE-yArDs – “Powa”
What to say about Merrill Garbus? She’s a tough cookie to put into words. To use a cop out, you really have to hear it. I would recommend you start with “Powa”, arguably her most accessible track. Garbus’ unfathomably wide vocal range is on full display, allowing the listener to nearly forget that she is singing, quite graphically, about a woman’s most primal sexual desires. Watch below:
Written by Rob Peoni