All too rarely in life, do we encounter surpassed expectations. When was the last time somebody really wowed you, went well beyond any reasonable bar you had set? When those moments come, it’s best not to speak. No need to jinx an otherwise blissful experience. It’s best to stay quiet and soak that pure satisfaction deep within, for however brief a time it may last.
Surpassed expectations were offered up in spades in the bowels of the Old National Centre last night. Deluxe, the latest addition to the historic Indianapolis venue, played host to a basement party that won’t be forgotten by attendees any time in the near future. Established Philadelphia outfit Dr. Dog offered the crowd a relentless set of songs that spanned the best of the band’s six LP’s. The evening was as much a celebration of 2008 breakthrough Fate as the newer material.
Up-and-coming indie act GIVERS brought the room to a sizzle early in the evening. The Laffayette, Louisiana natives played a high energy set, driven by bombastic rhythms and the magnetic appeal of singers Tiffany Lamson and Taylor Guarisco. The band delivered upon the strength of their 2011 debut In Light. Lamson rotated her duties between ukelele, percussion and vocals – adding textures at every step. Guarisco’s play on guitar, though spastic, was more impressive than I had expected, playing with a speed and agility influenced as much by afrobeat as indie rock. Unfortunately, the strings were largely drowned out by the drums, my lone complaint from the opener. By the time the band left the stage, the pulse of the room had quickened and a growing crowd of listeners had converted to fans.
Philly’s finest, Dr. Dog, hit the stage shortly thereafter with a couple dozen balloons in tow, signaling the start of their traveling party. And a party it was. Rather than force feed the audience a setlist of tracks from their latest effort Be the Void, Dr. Dog provided fans with a history lesson. They rolled through a non-stop stream of highlights that underscored the strength of the band’s formidable catalog. The audience repaid the gesture with raucous applause, sweat-drenched dancing and informed call and response throughout.
I lost count of the number of songs, but it had to approach 20 or more. Dr. Dog kicked things off with a few tracks from Be the Void, with the audience chiming in loudly during the blues driven “Lonesome” and bouncy “That Old Black Hole.” The band never glanced back. Personal highlights included lead guitarist Scott McMicken’s signature squeal on “The Rabbit, The Bat and The Reindeer”, “Unbearable Why”, and “Do the Trick.” Bassist Toby Leaman carried his share of the vocal load, offering up memorable moments on “Shame, Shame”, “Hang On” and new track “Vampire.”
In reality, missteps were hard to come by. The set, though loud and a bit muddled at times, was solid top to bottom. Though Dr. Dog covered the gamut, the strength of their catalog speaks to the fact that there were still a few missing tracks that I would have loved to hear. Most notably, the omission of new single “How Long Must I Wait?”. But you won’t hear any complaints from me. I would go back to Deluxe tonight and start the whole thing over again.
Written by Rob Peoni
Yesterday, the outstanding Boston-based video blog Sleepover Shows released their session with The Low Anthem. The Providence, RI quartet will make a pit stop at The Amber Room at Indianapolis’ Old National Centre on February 8th before heading into the studio for some recording later this spring. The show is part of the southern leg of The Low Anthem’s cross-Canadian tour with City and Colour. Tickets are available for $23.50 via MOKB Presents. Watch the video for “Ghost Woman Blues” below.
Written by Rob Peoni
One of my favorite emerging acts of 2011 has proven to be Typhoon. My infatuation began after NPR featured the band in a breathtaking Tiny Desk Concert from South by Southwest (SXSW) in January. How the NPR staff managed to refrain from belting out a bellowing yell when they pick up the pace in “The Honest Truth” is completely beyond me.
Typhoon is unique for several reasons. Their performances often include over a dozen musicians. The format harkens back to late 19th century parlor music, when neighbors would gather around the living room sharing in song. It reminds me of grade school music class. Only, this group never dissolves into an incoherent, cluster fuck of noise.
Their 2011 EP A New Kind of House represents the first breakthrough for Portland, OR label Tender Loving Empire. Fronted by lead singer and guitarist Kyle Morton, Typhoon proves that several whispers combine into a collective roar. Though the individual parts are rather simple, the group’s timing and delivery is complex and sophisticated.
I was blown away when I saw Typhoon’s Lollapalooza after show at Subterranean in Chicago. A big thanks is owed to whoever is financing this project. In the age of stolen music, it seems unfathomable that a band of this size can exist. I look forward to following them in the years ahead. Chances are, they will never be short on ideas with that many minds in the room.
Stream or download Typhoon’s performance from this year’s Sasquatch Music Festival via NPR, HERE.
Written by Rob Peoni.