Video/Album Review: Givers ‘In Light’ & Tiny Desk Concert
Full confession, I am a fairly recent convert to the indie music scene. I have always been a music junkie, but I didn’t delve deep into this genre until about a year and a half ago. I was spoon fed on sixties folk rock and classic soul: Crosby Stills & Nash, Simon & Garfunkel, Beach Boys, Motown and The Staples Singers. Not a shabby start.
By the time I began to listen for myself I had moved toward the jammier side of the post 90s rock scene. That path led to retracing their influences down through funk, blues, southern roots and traditional music. Along that path I developed a strong appreciation for jazz and improvisation—particularly that of the New Orleans region.
For the last year or two, my palate has enjoyed the taste of rigid, three-minute music that The Strokes helped to spawn a decade ago. There is a beauty that lies in that simplicity and raw emotion. So long as an organic aspect remains in there somewhere, a natural or primal sound, I’m typically a listener. One thing I have missed though, is that aspect of improvisation, an interplay between planned and unplanned.
Enter Laffayette, Louisiana’s Givers, and their debut LP In Light from Glassnote Records. No songs under four minutes. I find myself returning to this album as often as any 2011 release. Though I find the disc a touch over-produced, read—it sounds too good at certain points. Any worries of whether or not Givers would hold up to the live litmus test swiftly vanished after viewing their recent Tiny Desk Concert via NPR Music:
In Light is pure fun. As evidenced in the above video, these kids can sing. Vocalists Tiffany Lamson and Taylor Guarisco compliment each other flawlessly. “Meantime,” the first track from the Tiny Desk performance plays quite differently on the album. Their song features a guitar solo that will have traditional indie fans yawning. But the video proves how effective the track becomes after watching them pour their hearts out for the NPR staff.
Givers has drawn comparisons to Vampire Weekend and other Afrobeat-influenced acts. And the release is much heavier on percussion and powerful drums than this performance indicates. However, if anyone comes to mind for me, it’s actually Rusted Root. A tighter, more serious and worlds more talented Rusted Root.
Their live show is most assuredly going to have the crowd’s feet shuffling. If this video does not do justice to any of the band’s strengths, it’s that it short sells the fact that much of the album would play just as well in a dance club as a jam band festival. That’s why I think Givers will be a hit for as long as they stay together. They play to the core emotion of too many differing audiences to fail.
VIDEO: Bon Iver “Holocene” live from Murat Theatre Indianapolis
This video was shot by Brett McGrath on his iPhone. It does not suck. Neither did his seats.
Concert Review: MOKB Presents Bon Iver Murat Theatre
Indianapolis,
Even after jazz at the Chatterbox (the perfect post-show bar by the way), a night of sleep, and a morning of reflection, my mind is still blown by Bon Iver’s performance last night. With that being said, please be patient while I attempt to gather my thoughts and articulately portray my magical evening.
After an incredible performance by The Rosebuds, Bon Iver took the stage and opened with a stunning rendition of “Perth.” This song was only the beginning of the emotional story Justin Vernon would tell throughout the duration of the night. For every song, you see, was part of this bigger picture…this beautiful journey we all took part in on a Monday night at the Murat. As I’m looking at the set list now I’m wishing I could write a paragraph about each song and how it so intricately fit into Vernon’s mind map of music and words. “Calgary” nearly brought me to tears, “Blood Bank” was epic, and don’t even get me started on the acoustic “Skinny Love” or the Bjork cover, “Who is it?”
This concert was more than a 10 piece band on a stage, it was an experience. Although all were spectacular, my favorite part of the night was not the perfect and meticulous lighting, the thought provoking lyrics, or the life changing harmonies. My favorite part of the evening was the relationship between Bon Iver and Indianapolis.
Throughout his performance he complimented the crowd on our attentive yet interactive behavior. Now of course this is fairly typical for any musician trying to build a connection with the audience; however, there was something very different about this night, this concert, this crowd. Indianapolis was alive and there was no denying it. As we all anxiously joined in to clap to the beat there was a feeling of solidarity I had never felt before—Bon Iver had never felt before. It became very apparent that the band not only recognized this solidarity but was humbled by it. Vernon even stated, “You’re on your feet. That’s insane. You’re working hard.”
Once the encore was complete the band just stood there for a few minutes, genuinely impressed with the enthusiasm and spirit of Indianapolis. As we cheered and watched Bon Iver take it all in, I noticed they were staring back at us in awe. It was a mutual exchange of love and respect. They knew we fell in love with the show…their music…their chemistry. We knew they fell in love with us as an audience…a being…a city. What a monumental love story.
For one of the first times, Indianapolis had made a true and honest mark on a band’s national tour and that feeling was more than palpable.
As someone who has been fighting for musicians like Bon Iver to visit Indianapolis for years, last night was more than a victory, it was a moment of pure pride. Groups like My Old Kentucky Blog (MOKB) and IndyConcerts have worked their tails off to make Indianapolis a known stop on any band’s tour and well, I tip my hat to you guys. You not only got them here but you proved it was well worth their while.
This realization comes at a very interesting time for me…as I will be moving to Portland, OR in just a few short weeks. While I’m going to miss nearly everything about the city I’ve called home for 25 years, I feel last night gave me the reassurance to know its okay to leave. Of course I will never believe my work in music is complete, but now Indianapolis has shown me there at least 2,300 people with the same goal in mind.
I couldn’t be more thrilled and excited for you, Indianapolis music fans. This is your time! With bands like The Head and the Heart, Yuck, ands Cults coming through Indianapolis, I find myself saying something I never thought I would—“I’m going to miss so many good shows in Indianapolis after I move to Portland.” I know Portland will have an amazing music scene but this is just different. We worked for this. We earned this and we deserve this.
To Dodge, to my loving concert crew, to my work dropbox, to the Thought on Tracks team, and finally, to Indianapolis, continue to fight the good fight.
Written and experienced by Laura Ferguson
This story was also featured on IndyConcerts.com
